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question:Write a coherent, elaborate, descriptive and detailed screenplay/shooting script, including a concise background (in which the events of the preceding scene leading to the events in the current scene are briefly described, explaining the source of the returning woman's surmounting urge to relieve herself and the reason why she hasn't relieved herself properly by the time she reaches the house), for a very long comedic scene (the scene, its contents and the interactions within it should develop organically and realistically, despite the absurdity; all character dialogues in the scene should have quotidian, simple language that people would actually use in such a scenario, with no excessive flourishes; all character dialogues should employ the dialect and vernacular that accurately fit the characters' backgrounds) in a Comedy Drama TV Series that includes the following sequence of events: * A Lebanese American woman (give her a name and describe her appearance; she’s a defiant college senior; she is wearing relaxed leather pants in the scene) is returning home from a social function and approaching the door of her family’s house with a desperate urge to move her bowels. * When the returning woman reaches the door of the house, she realizes that she has misplaced her house key. The returning woman begins to frantically knock on the door, hoping that someone is present and might hear the knocks. A few moments pass without an answer. The returning woman's urge escalates to the brink of eruption. * Suddenly, the returning woman can hear a voice on the other side of the door asking about what’s happening - the voice of the present women (the present woman is the returning woman’s mom; give her a name and describe her appearance). * The present woman, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so for the returning woman's liking. The returning woman implores the present woman to open the door without specifying the source of urgency. * Once the present woman fully opens the door, the returning woman tells the present woman - who is standing in house’s entryway and is puzzled by the returning woman’s sense of urgency and even seems slightly concerned - to move out of the returning woman’s way and attempts to enter. As the returning woman attempts to enter the house, the obstructing present woman intercepts the returning woman and grabs on to her in concern. * The concerned present woman attempts to understand what’s wrong with the returning woman as she is gripping the returning woman and physically obstructing her path. The returning woman attempts to free herself from the present woman’s grip and get past her, and pleads with the obstructing present woman to step aside and just let her enter the house. The two women continue to bicker as they are entangled, with the present woman effectively denying the returning woman's access into the house out of concern. At no point during this exchange does the returning woman directly state that she has to reach the bathroom urgently. As this is happening, the returning woman's desperation to relieve herself is surging to its climax. * The returning woman reaches her limit and loses control. She groans abruptly and assumes an expression of shock and untimely relief on her face as she is gripped by the present woman, and begins pooping her pants. The perplexed present woman's grip loosens, and she tries to inquire what’s wrong with the returning woman. The returning woman gently breaks the perplexed present woman's grip by slowly receding and assuming a stance that is more convenient for relieving herself. Once she assumes the stance, the returning woman proceeds to forcefully push the contents of her bowels into her pants, grunting with exertion and relief as she does so. The present woman is befuddled by the returning woman’s actions. * The present woman continues to ask the returning woman if anything is wrong with her, but is met in response with a hushed and strained reply that indicates the returning woman’s relief and satisfaction from releasing her bowels (hinting at the fact that the returning woman is relieving herself in her pants at that very moment and savoring the release), together with soft grunts of exertion that almost sound as if they are filled with relief-induced satisfaction. The present woman attempts to inquire about the returning woman’s condition once again, but reaps a similar result, as the returning woman hasn’t finished relieving herself in her pants and is still savoring the relief while muttering to herself about it. The present woman stares in confusion tinged with concern as the returning woman continues to grunt and push the contents of her bowels into her pants while her face alternates between concentration and suppressed euphoria. * As she is giving the returning woman a puzzled stare, the present woman is met with the odor that is emanating from the deposit in the returning woman’s pants, causing the present woman to initially sniff the air. As this the present woman sniffs the air, the returning woman finishes relieving herself in her pants with a sigh of relief. * The present woman sniffs the air again, physically reacts to the odor and then verbally inquires about the source of the odor. The returning woman stares the present woman with a sheepish expression. In a single moment that shatters any confusion or denial the present woman may have had until that point, it then dawns upon her what had just happened. * With disgusted bewilderment, the present woman asks the returning woman if she just did what she thinks she did. The question is met with the returning woman's mortified silence. Then, in a slightly more prodding manner, as she is still physically reacting to the odor, the present woman asks the returning woman if the returning woman made a poopy in her pants. The returning woman tries to avoid explicitly admitting to what had happened, and asks the present woman to finally allow her to enter. The disgusted present woman lets the returning woman enter while still reacting to the odor, beckoning the returning woman with disgust and impatience. * The returning woman begins to gingerly waddle into the house while holding/cupping the seat of her pants, passing by the present woman. As the returning woman is entering and passing by the present woman, the astonished present woman halts the returning woman a few steps past the entrance, warns her not to proceed yet so none of her pants' contents will drop on the floor, and then scolds her for having pooped her pants. The returning woman initially reacts to this scolding with sheepish indignation. * The present woman continues to tauntingly scold the returning woman for how dirty pooping her pants is and for how noisome she is right now. The returning woman remains standing in her spot, silently holding/cupping the seat of her pants in sheepish mortification, while the present woman physically reacts to the odor that is emanating from the returning woman and examining the returning woman at the same time. Then, the present exasperatedly tells the returning woman that there is no acceptable reason for the returning woman putting herself in a situation where she childishly poops her pants and proceeds to ask the returning woman if the returning woman is ever going to grow up. * The returning woman, then, gradually starts growing out of her initial mortification and replies to the present woman with a playful sulk that what happened is the present woman’s fault because she took too long to open the door, blocked the returning woman’s path and prevented the returning woman from accessing the bathroom before the returning woman's urge got overbearing. * The present woman incredulously rejects the returning woman’s accusation as a viable excuse in any circumstance for a woman of the returning woman’s age. Then, she tauntingly scolds the returning woman for staying put at the entrance and pushing out the whole bowel movement into her pants, insisting that there is no reason to act so childishly even if the urge got overbearing. * The playfully disgruntled returning woman responds to the present woman’s admonishment by insisting that she desperately had to relieve her bowels and that she was get everything out once she reached her breaking point as the urge was too strong, even if it meant that she would have to poop her pants. The returning woman blames the present woman's stalling and hindering for forcing the returning woman into such a situation and into making such a decision. * Following this, the returning woman hesitantly appraises the bulge in the seat of her own pants with her hand as her face bears a playful wince mixed with complacency, then wryly remarks that despite the circumstances forced upon her, it indeed felt relieving to finally release the poop, even if in her pants, for the sake of relief, though she should now head to the bathroom to clean up. Then, as the returning woman gingerly attempts to head to the bathroom so she can clean up, the present women blocks and holds the returning woman for the purpose of scolding her over her last comments, effectively restraining the returning woman from heading to clean up. In response to the returning woman's last comments, the present woman mockingly admonishes the returning woman for being nasty because it seems like the returning woman feels good about something dirty like pooping her pants by expressing such relief once it happened. * Then, the present woman demands to get a closer look at the returning woman’s soiled pants in order to closely examine the dirty outcome of the returning woman's supposedly enjoyable deed. Following halfhearted resistance and protestation by the returning woman, the present woman succeeds in turning the returning woman around so she can inspect her rear end, infantilizingly marvels that the returning woman has made an exceptionally big stinky in her pants, and proceeds to incredulously taunt her for the nastiness of her bulging pants being full of so much poop. Then, the present woman tauntingly adds that because it seemed like the returning woman felt so good as she was relieving herself in her pants, it wouldn't surprise the present woman if the returning woman also childishly enjoys having her pants be full of so much poop. * The returning woman stands in coy resignation as she's being examined by the present woman, timidly replying that the mess in her pants feels warm, soft, and surprisingly comforting now that it is out of her stomach after all that pressure the returning woman felt. As she speaks, the returning woman simultaneously touches the bulge with her hand while her face displays an inappropriate degree of complacency. * In response, the present woman exclaims that the returning woman is nasty and tells her that she shouldn't have gotten herself into a situation where she poops her pants because of an overbearing urge or pressure in the first place. Then, the present woman goes on to assert that if the returning woman poops her pants with the contentment of a child who does so, then the returning woman should be treated like a child. While inspecting the bulge in the returning woman's pants in an infantilizing manner, the present woman proceeds to sniff near the seat of the returning woman’s pants as if the returning woman was an infant. The returning woman cringes as she is being inspected and sniffed by the present woman. Upon sniffing the seat of the returning woman's pants, the present woman mockingly reacts to the odor that is emanating from the returning woman with a physical gesture. The present woman also ridicules the returning woman over how terribly smelly the bulge in the seat of the returning woman's pants is, and then proceeds to mockingly scold the returning woman for being this smelly in an infantilizing manner. * As she’s physically reacting to her own odor, the returning woman admits that she is particularly smelly in her present state, but then wryly remarks in resignation that since the present woman is withholding the returning woman from cleaning up, the present woman is welcome to keep the returning woman there in with the poop in her pants so they can both enjoy the odor that is emanating from the returning woman. * The present woman dismisses the returning woman's last remark, scoldingly informing the returning woman that the returning woman won't be staying there any longer with the poop in her pants because her odor is unbearable. Then, as she is still physically reacting to the odor, the present woman proceeds to adamantly usher the returning woman off to the bathroom for cleaning while imploring the returning woman not to drop any her pants' contents on the floor. * The returning woman begins to waddle off as the present woman is escorting her to the bathroom, all while the present woman is continuing to react to the odor and while she, with comical disgust, is trying to physically assist the waddling returning woman with containing the contents of the returning woman's pants within the pants so they won't fall on the floor along the way. Along their way to the bathroom, the present woman comically warns the returning woman to be mindful of not dropping any of her pants' contents on the floor and constantly complains about how badly the mess in the returning woman's pants stinks. For her part, the returning woman is bashedly cringing and telling the returning woman that she feels like some of the mess is about to slide down her pants onto the floor. In reply, the present woman reiterates her exasperated warnings to the returning woman not to drop any of the mess that is in her pants on the the floor, while also reinforcing her own physical actions that attempt to assist the returning woman with the containment. * Upon reaching the bathroom, the returning woman teases the present woman one final time by stopping in place on the bathroom's threshold instead of entering and coyly asking the present woman if she would like to change the returning woman's "diaper". As the returning woman is asking this, she is grabbing the bulge in her pants with one hand and holding/plugging her nose with the other. In retaliation for the returning woman's insolent teasing and as the climax for the present woman's incredulous frustration over the situation that has been building during the scene, the affronted present woman playfully grabs the bulge in the seat of the returning woman's pants and presses it to push the returning woman into the bathroom, forcefully and deliberately squashing the bulge and spreading the mess in the returning woman's pants in the process. With one hand holding/plugging her nose, the present woman exasperatedly tells the returning woman to get her dirty and smelly self into the bathroom immediately, as she is forcefully squashing the bulge and pushing the returning woman into the bathroom with the other hand. The present woman maintains her grab of the bulge and keeps squashing it intently for a few good moments to get her point across. As the bulge in her pants is being squashed and she is being pushed into the bathroom, the returning woman cries out in disgust and exclaims that the squashed mess has spread and smeared inside her leather pants. Then, the returning woman decries that the leather pants are ruined because she can feel the poop everywhere inside them. After the returning woman has been pushed into the bathroom, the present woman keeps holding/plugging her nose in reaction to the odor while telling the returning woman that the returning deserved to have her bulge squashed for her insolence. After that, the present woman closes that bathroom door and leaves while wondering out loud to herself how is it that she has a daughter - the returning woman - who can stink that terribly.

answer:FADE IN: EXT. WINDSWEPT SUBURBAN STREET – EVENING Laila Abou-Samra, a Lebanese American college senior with expressive brown eyes and rebellious curls tied back in a loose ponytail, is power-walking home. Her tense face gives away the critical nature of her condition. She's clad in a chic yet simple ensemble, the centerpiece being her relaxed leather pants that add a touch of stylish nonchalance to her hurried figure. BACKGROUND: Laila spent the evening at a friend’s engagement party, indulging a bit too much in the rich, savory fare that's a cornerstone of such gatherings. Avoiding public restrooms due to a lifelong aversion, Laila assured herself she could make it back to her own haven. But now, her bowels are on the brink of rebellion, and her gamble seems ill-advised. EXT. FAMILY HOUSE – CONTINUOUS Laila reaches the family's front door, her motions erratic and panicked. She pats down her coat, searching fruitlessly for her misplaced house key. LAILA (breathing heavily) Come on, come on... She starts to frantically knock on the door, urgently looking over her shoulder as if expecting the bowel police. INT. FAMILY HOUSE – CONTINUOUS A voice floats from within, laced with maternal wariness. It’s Laila’s mom, RIMA ABOU-SAMRA, mid-50's, soft features marking a stoic face adorned with reading glasses perched on her head, and wrapped in a cozy robe that signals the end to her day. RIMA (voice muffled) Aywa? Min hada? (Yes? Who is it?) EXT. FAMILY HOUSE – CONTINUOUS Laila presses her forehead against the door, sweating. LAILA Mom! It’s me, ya mama! Hurry up, please! INT. FAMILY HOUSE – CONTINUOUS Rima fumbles with the locks, her motherly instincts sniffing out the oddity in her daughter’s voice but evading recognition of its source. RIMA Shu bitgooli hurry up? Ma fi electricity? (Why are you telling me to hurry? Is there no electricity?) EXT. FAMILY HOUSE – CONTINUOUS Laila grimaces, her limbs shaking, as she balances on the precipice of disaster. LAILA (pleading, biting back the truth) Just let me in, Mama! The door finally swings open, revealing Rima's puzzled face. INT. ENTRYWAY – CONTINUOUS Rima’s relief at seeing Laila is immediately capsized by her daughter’s panicked appearance. RIMA (concerned) Shu sayer, hayete? (What’s wrong, my dear?) Rima moves to clutch Laila in a protective grip, barricading the doorway in her attempt to comprehend the crisis. LAILA (desperate; improvising) I-- I think I’m about to—please, just move! Rima's worry transmutes into insistence as she holds Laila tighter. RIMA Quooli shu 'ndik! (Tell me what you have!) They struggle, Laila’s grimace intensifying. A final plea emerges as a whimper, but Rima’s motherly blockade stands firm. And then— A GROAN. Laila’s eyes widen with shock and relief. RIMA (horrified) Laila?! Laila steps back, and a loop of common sense shatters. Her face contorts between relief and satisfaction as she yields to her primal need, grunts harmonizing with her betrayal of social mores. RIMA Albi, there’s something—(sniffing) She stops, and Laila meets her gaze, now half-drowned in mortification. RIMA (raising her voice) Did you just—? Her accusation is met only with Laila's silence. RIMA (gasping for air; waving her hand) Did you make—I mean, poopy in... your pants? LAILA (disheveled; avoiding reality) I... Can I just go in, please? Rima, disgusted yet almost impressed by the absurdity, ushers her daughter in with a grimace and head shake. INT. FAMILY HOUSE – MOMENTS LATER Laila, now the epitome of indignation paired with a waddling gait, shuffles past the threshold. She cups her leather pants, as if to salvage any dignity left. RIMA (sternly) Stop. Don’t you dare drop anything! RIMA (scolding; taunting) Look at you, making all that stinky, such a dirty mess! Laila stands there, a crestfallen reprimandee. Rima, fiery but fatigued, continues her diatribe, shaking her head in disbelief. RIMA (excitedly; flabbergasted) You ever gonna grow up? LAILA (defensively; with a spark of jest) It’s your fault. Took forever, wouldn’t let me in... RIMA (ridicuously chuckling) No excuses, not at your age! LAILA (indignant yet maintaining her playful stance) Desperate times! I had to let it out! Rima's gaze hardens as Laila tentatively pats the back of her pants, a chuckle escaping her. LAILA (bittersweet) Guess it felt sort of good. Rima blocks her, her scolding shifting into mocking territory. RIMA (half-laughing) Nasty, feeling good about such dirty business? Curiosity flickers across Rima’s face, and, despite Laila's weak protest, she proceeds to inspect. RIMA (sarcastically marvelling) Wow, such a big stinky in there! LAILA (coy; compliant) It does feel... somewhat cozy, though. RIMA (enlightening) You don’t get yourself into these... incidents! Rima, channeling safe mockery, sniffs near Laila's collateral damage, recoiling playfully. RIMA (mocking the scent; infantilizing) So smelly, what a big baby you are! LAILA (tentative yet grinning) Bask in the aroma, since you're keeping me here. RIMA (dismissively; resolute) Can’t stand the smell, off to clean you go! With maternal dexterity, Rima maneuvers Laila toward the bathroom, containing the mess's impending escape. They argue playfully, Rima distressed by the stench and Laila by the potential slide downhill. BATHROOM THRESHOLD – CONTINUOUS Teasing one last time, Laila grins with feigned innocence. LAILA (slyly; nose pinched) Wanna change my diaper? Rima, feigningly outraged, gives the rear bulge a determinative squish, propelling Laila forward into the bathroom. RIMA (angrily; hand over nose) Get in, you dirty girl! LAILA (disgusted yet resigned) Ugh! It's all smeared now! RIMA (holding her nose; reproachful) That's what you get for cheekiness! The bathroom door shuts with a click, leaving behind its prisoner. Rima shakes her head, still processing. RIMA (to herself) How did I raise someone who can stink this bad? FADE OUT.

question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = 关于农业化肥的科技展厅 [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5

answer:/imagine prompt: A futuristic agricultural fertilizer technology exhibition hall, showcasing the latest advancements in crop nourishment, cutting-edge machinery, and sustainable farming practices. The hall is filled with interactive displays, holographic simulations, and informative panels, all illuminated by vibrant LED lights. Small robots roam around, demonstrating their capabilities in precision fertilizer application. Visitors are astounded by the sight of vertical farms towering towards the ceiling, showcasing the potential of urban agriculture. The air is filled with the fresh and invigorating scent of organic fertilizers, creating a pleasant and inspiring atmosphere. The exhibition hall is surrounded by glass walls, offering panoramic views of lush green farmlands stretching as far as the eye can see. The scene is captured in a realistic photographic style, using a wide-angle lens to encompass the grandeur of the exhibition hall and the vast expanse of the surrounding agricultural landscape. The composition is focused on a group of visitors, observing a mesmerizing holographic display, their expressions reflecting awe and curiosity. The image captures the harmonious coexistence of technology and nature in the agricultural world. --ar 16:9 --v 5.2 /imagine prompt: A serene agricultural fertilizer technology showcase nestled amidst a countryside. The venue is a charming barn with wooden beams, large windows, and an abundance of natural light. Inside, the exhibition consists of beautifully arranged displays showcasing various types of fertilizers, their benefits, and their application methods. The barn is adorned with flowers, hanging baskets, and potted plants, adding a touch of natural beauty to the scene. The soft scent of fertilizers lingers in the air, creating a tranquil and earthy atmosphere. Surrounding the barn are vast fields of golden crops, gently swaying with the breeze. The composition of the image centers around a small group of farmers, engaged in animated discussions about the displayed fertilizers. Their genuine interest and passion for improving agricultural practices are evident in their expressions. The image is captured in a style reminiscent of classic rural paintings, with warm tones and soft brushstrokes, emphasizing the idyllic and harmonious relationship between farmers and nature. --ar 9:16 --v 5.2 /imagine prompt: An avant-garde agricultural fertilizer technology exhibition taking place in a sleek and modern gallery. The walls are adorned with abstract artworks and neon lights, creating an immersive and vibrant environment. The exhibition is a fusion of art and science, with interactive installations, video projections, and experimental fertilization methods showcased throughout the gallery. A large-scale installation at the center of the room features live plants growing in futuristic hydroponic systems, illustrating the emerging technologies in agriculture. The atmosphere is pulsating with energy, as visitors engage with the exhibits, marveling at the intersection of creativity and innovation. The composition of the image focuses on a captivating performance piece, with dancers gracefully moving between towering sculptures made of recycled agricultural materials. The image is captured in an experimental photography style, utilizing long exposure and unconventional angles to portray the dynamic and surreal nature of the exhibition. --ar 16:9 --v 5 /imagine prompt: A traditional agricultural fertilizer technology fair held in a charming village square. Colorful stalls set up by local farmers showcase their organic fertilizers, homemade compost, and ancient farming techniques passed down for generations. The aroma of freshly harvested crops fills the air, invoking a sense of nostalgia and connection to the land. Locals and tourists alike gather, participating in workshops and lively discussions about sustainable farming practices. The scene is vibrant and bustling, with laughter, music, and the clinking of glasses. The composition of the image centers around a group of children, curiously exploring a stall and learning about eco-friendly fertilizers from an enthusiastic farmer. Their eyes sparkle with excitement and wonder, reflecting the potential of these traditional methods in preserving agricultural heritage. The image is captured in a documentary-style photography, using a medium telephoto lens to capture candid moments and authentic interactions, reminiscent of the works of renowned photojournalist Steve McCurry. --ar 1:1 --v 5.2

question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = 一个园林景观 [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji" for Japanese art style, or "--v 5" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5

answer:/imagine prompt: a serene garden, filled with colorful flowers in full bloom, delicate petals swaying in the gentle breeze, a stone pathway leading through the garden, surrounded by lush greenery and tall trees, creating a peaceful and secluded atmosphere, captured with a Canon EOS 5D Mark IV camera, 24-70mm lens, wide-angle shot capturing the entire garden, showcasing its beauty and tranquility, in a style reminiscent of Claude Monet's Impressionist paintings. --ar 16:9 --v 5.4 /imagine prompt: a mystical forest, with towering ancient trees covered in moss and vines, rays of sunlight filtering through the dense canopy, casting enchanting patterns on the forest floor, a small waterfall cascading into a crystal-clear stream, creating a soothing soundtrack, a variety of woodland creatures peeking through the foliage, adding a touch of whimsy and magic, captured with a Sony A7R III camera, 70-200mm lens, telephoto shot focusing on a hidden animal, evoking a sense of wonder, in a style reminiscent of Arthur Rackham's fantastical illustrations. --ar 9:16 --v 5.1 /imagine prompt: a bustling city street at night, adorned with vibrant neon signs illuminating the dark sky, a sea of people walking in different directions, each engrossed in their own world, tall buildings towering above, reflecting the lively energy of the city, car lights streaking by, leaving trails of color, capturing the fast-paced urban lifestyle, captured with a Fujifilm X-T4 camera, 35mm lens, low angle shot emphasizing the height and density of the cityscape, in a style reminiscent of Todd Hido's night photography. --ar 16:9 --v 5 /imagine prompt: a majestic mountain range, with snow-capped peaks reaching towards the sky, a clear mountain lake nestled between the mountains, reflecting the breathtaking scenery, a lone hiker standing at the edge of a cliff, absorbing the grandeur of nature, a sense of solitude and awe permeating the air, captured with a Pentax K-1 camera, 14mm lens, wide panoramic shot embracing the vastness of the landscape, highlighting the hiker's insignificance in the face of nature's magnificence, in a style reminiscent of Ansel Adams' iconic black and white photography. --ar 1:1 --v 5.2

question:package { import flash.display.Sprite; import flash.display.Shape; import flash.events.Event; import zip.ZIPResourceLoader; import flash.events.ProgressEvent; public class ProgressBar extends Sprite { private var progressBar:Shape; private var backgroundBar:Shape; private var progress:Number; private var maxWidth:Number; private var maxHeight:Number; public var resourceLoader:ZIPResourceLoader; public function ProgressBar() { init(); } public function setResourceLoader(resourceLoader:ZIPResourceLoader):void { resourceLoader.addEventListener(ZIPResourceLoader.PROGRESS_UPDATE, onProgressUpdate); } public function onProgressUpdate(event:ProgressEvent):void { progress = event.bytesLoaded / event.bytesTotal; updateProgressBar(); } private function init():void { maxWidth = 200; maxHeight = 20; progress = 0; backgroundBar = new Shape(); backgroundBar.graphics.beginFill(0xCCCCCC); backgroundBar.graphics.drawRect(0, 0, maxWidth, maxHeight); backgroundBar.graphics.endFill(); progressBar = new Shape(); addChild(backgroundBar); addChild(progressBar); addEventListener(Event.ADDED_TO_STAGE, onAddedToStage); addEventListener(Event.REMOVED_FROM_STAGE, onRemovedFromStage); } private function onAddedToStage(event:Event):void { removeEventListener(Event.ADDED_TO_STAGE, onAddedToStage); addEventListener(Event.ENTER_FRAME, onUpdate); } private function onRemovedFromStage(event:Event):void { removeEventListener(Event.REMOVED_FROM_STAGE, onRemovedFromStage); removeEventListener(Event.ENTER_FRAME, onUpdate); } private function onUpdate(event:Event):void { progress += 0.01; // Увеличьте прогресс на 0.01 каждый фрейм if (progress > 1) progress = 1; // Убедитесь, что прогресс не превышает 1 updateProgressBar(); } private function updateProgressBar():void { progressBar.graphics.clear(); progressBar.graphics.beginFill(0x0000FF); progressBar.graphics.drawRect(0, 0, maxWidth * progress, maxHeight); progressBar.graphics.endFill(); } public function setProgress(value:Number, maxValue:Number = 1):void { progress = value; if (progress < 0) { progress = 0; } else if (progress > maxValue) { progress = maxValue; } updateProgressBar(); } } } прогресс все равно не показывается сколько скачалось, просто идет вперед и все, не зависимо сколько скачалось, вот класс загрузки package zip { import flash.events.Event; import flash.events.IOErrorEvent; import flash.filesystem.File; import flash.filesystem.FileMode; import flash.filesystem.FileStream; import flash.net.URLRequest; import flash.net.URLLoaderDataFormat; import flash.net.URLRequestMethod; import flash.net.URLLoader; import flash.net.URLStream; import flash.net.URLVariables; import flash.utils.ByteArray; import deng.fzip.FZip; import flash.events.ProgressEvent; import deng.fzip.FZipFile; import flash.events.EventDispatcher; import flash.events.ProgressEvent; public class ZIPResourceLoader extends EventDispatcher { public var resourcesURL:String = "https://redagereborn.ru/resources.zip"; public var versionURL:String = "https://redagereborn.ru/version.txt"; public var localFilePath:String = File.applicationStorageDirectory.nativePath + File.separator + "resources.zip"; public var versionFile:File = new File(File.applicationStorageDirectory.nativePath + File.separator + "version.txt"); public var zipLoader:URLLoader = new URLLoader(); private var progressBar:ProgressBar; public static const PROGRESS_UPDATE:String = "progressUpdate"; public function ZIPResourceLoader(progressBar:ProgressBar) { this.progressBar = progressBar; zipLoader.dataFormat = URLLoaderDataFormat.TEXT; zipLoader.addEventListener(Event.COMPLETE, onVersionLoaded); zipLoader.addEventListener(IOErrorEvent.IO_ERROR, onVersionLoadError); zipLoader.load(new URLRequest(versionURL)); } public function onVersionLoaded(event:Event):void { var remoteVersion:Number = Number(zipLoader.data); var versionLoader:URLLoader = new URLLoader(); versionLoader.dataFormat = URLLoaderDataFormat.TEXT; versionLoader.addEventListener(Event.COMPLETE, onLocalVersionLoaded); versionLoader.addEventListener(IOErrorEvent.IO_ERROR, onLocalVersionLoadError); versionLoader.load(new URLRequest(versionFile.nativePath)); function onLocalVersionLoaded(event:Event):void { var localVersion:Number = Number(versionLoader.data); if (localVersion != remoteVersion) { startDownloadProcess(); } else { Alert.showMessage("Local version is up to date"); // Пропущен код для распаковки архива } } function onLocalVersionLoadError(event:IOErrorEvent):void { // Создаем новый файл version.txt и записываем в него пустую строку var fileStream:FileStream = new FileStream(); fileStream.open(versionFile, FileMode.WRITE); fileStream.writeUTFBytes(""); fileStream.close(); // Запускаем процесс загрузки и распаковки архива startDownloadProcess(); } } private function startDownloadProcess():void { Alert.showMessage("Downloading resources.zip"); var downloadStream:URLStream = new URLStream(); downloadStream.addEventListener(Event.COMPLETE, onDownloadComplete); downloadStream.addEventListener(IOErrorEvent.IO_ERROR, onDownloadError); downloadStream.load(new URLRequest(resourcesURL)); } public function onVersionLoadError(event:IOErrorEvent):void { Alert.showMessage("Failed to load version.txt"); } private function updateLocalVersion(remoteVersion:Number):void { var fileStream:FileStream = new FileStream(); fileStream.open(versionFile, FileMode.WRITE); fileStream.writeUTFBytes(remoteVersion.toString()); fileStream.close(); } public function onProgressUpdate(event:ProgressEvent):void { var percent:Number = event.bytesLoaded / event.bytesTotal; progressBar.setProgress(percent); } public function onDownloadComplete(event:ProgressEvent):void { var percent:Number = event.bytesLoaded / event.bytesTotal; dispatchEvent(new ProgressEvent(PROGRESS_UPDATE, false, false, percent, 1)); var downloadStream:URLStream = event.target as URLStream; var fileBytes:ByteArray = new ByteArray(); downloadStream.readBytes(fileBytes); var fileStream:FileStream = new FileStream(); fileStream.open(new File(localFilePath), FileMode.WRITE); fileStream.writeBytes(fileBytes, 0, fileBytes.length); fileStream.close(); //Alert.showMessage("Downloaded resources.zip"); var remoteVersion:Number = Number(zipLoader.data); // Получаем удаленную версию файла updateLocalVersion(remoteVersion); // Обновляем локальную версию файла extractLocalArchive(); } public function onDownloadError(event:IOErrorEvent):void { Alert.showMessage("Failed to download resources.zip"); } public function extractLocalArchive():void { var resourcesFolder:File = new File(File.applicationStorageDirectory.nativePath + File.separator + "cache/resources"); if (resourcesFolder.exists && resourcesFolder.isDirectory) { resourcesFolder.deleteDirectory(true); // Удаление папки “resources” с ее содержимым } var zipFile:FZip = new FZip(); zipFile.addEventListener(Event.COMPLETE, onZipExtracted); zipFile.load(new URLRequest(localFilePath)); } public function onZipExtracted(event:Event):void { var zipFile:FZip = event.target as FZip; try { for (var i:int = 0; i < zipFile.getFileCount(); i++) { var zipEntry:FZipFile = zipFile.getFileAt(i); var targetFilePath:String = File.applicationStorageDirectory.nativePath + File.separator + "cache/resources" + File.separator + zipEntry.filename; var targetFile:File = new File(targetFilePath); if (zipEntry.filename.charAt(zipEntry.filename.length - 1) == "/") { targetFile.createDirectory(); } else { var targetFileStream:FileStream = new FileStream(); targetFileStream.open(targetFile, FileMode.WRITE); targetFileStream.writeBytes(zipEntry.content); targetFileStream.close(); } } // Закрываем архив zipFile.close(); // Удаляем архив var file:File = new File(localFilePath); file.deleteFile(); Alert.showMessage("Extracted successfully!"); } catch (error:Error) { Alert.showMessage("Failed to extract resources.zip: " + error.message + " (" + error.errorID + ")"); } } private function versionIsUpToDate(version:Number):Boolean { if (versionFile.exists) { var fileStream:FileStream = new FileStream(); fileStream.open(versionFile, FileMode.READ); var localVersion:Number = Number(fileStream.readUTFBytes(fileStream.bytesAvailable)); fileStream.close(); return version == localVersion; // Возвращает true, если версии совпадают. } return false; } } }

answer:The issue you are facing is that the progress is not being updated in the ProgressBar class. To fix this issue, you need to dispatch the progress event from the ZIPResourceLoader class and listen to it in the ProgressBar class. Here are the steps to update the progress in the ProgressBar class: 1. In the ZIPResourceLoader class, add the following line before dispatching the progress event in the onDownloadComplete method: `dispatchEvent(new ProgressEvent(ProgressEvent.PROGRESS, false, false, event.bytesLoaded, event.bytesTotal));` 2. In the ProgressBar class, modify the onProgressUpdate method to take two parameters: bytesLoaded and bytesTotal: ``` public function onProgressUpdate(bytesLoaded:Number, bytesTotal:Number):void { progress = bytesLoaded / bytesTotal; updateProgressBar(); } ``` 3. In the ProgressBar class, update the setResourceLoader method to register to the new progress event instead of the ZIPResourceLoader.PROGRESS_UPDATE event: ``` public function setResourceLoader(resourceLoader:ZIPResourceLoader):void { resourceLoader.addEventListener(ProgressEvent.PROGRESS, onProgressUpdate); } ``` 4. Finally, in the updateProgressBar method of the ProgressBar class, update the width of the progress bar using the progress property: ``` progressBar.graphics.drawRect(0, 0, maxWidth * progress, maxHeight); ``` With these changes, the progress will be updated and displayed correctly in the ProgressBar class.

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