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question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = How many yellow flowers are there on a grassland, and a light blue power bank is leaning against a stone [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji" for Japanese art style, or "--v 5" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
answer:/imagine prompt: a field of sunflowers, vibrant yellow petals reaching towards the sky, bumblebees buzzing around the blooms, a rustic wooden bench nestled among the flowers, bathed in warm sunlight, a gentle breeze swaying the tall grass nearby, creating a sense of tranquility and peace, captured with a Canon 5D Mark IV camera, 100mm macro lens, a shallow depth of field that blurs the background, composition focused on a single sunflower in the foreground, showcasing its intricate details and delicate beauty, in a style reminiscent of Georgia O'Keeffe's floral paintings. --ar 9:16 --v 5.2 /imagine prompt: a moonlit forest, silver moonbeams casting an ethereal glow through the dense canopy, illuminating a winding path between towering trees, a carpet of moss covering the forest floor, delicate wildflowers blooming in clusters, their petals shimmering under the moonlight, a sense of mystery and enchantment filling the air, captured with a Sony A7 III camera, 24mm wide-angle lens, long exposure to capture the softness of the moonlight, composition leading the viewer's gaze along the path, inviting them to delve deeper into the magical realm of the forest, in a style reminiscent of Caspar David Friedrich's romantic landscapes. --ar 16:9 --v 5.2 /imagine prompt: a bustling city street at dusk, neon lights reflecting off rain-soaked asphalt, vibrant colors painting the urban landscape, a crowd of pedestrians hurrying along the sidewalks, umbrellas bobbing up and down, steam rising from food stalls, filling the air with tantalizing aromas, the sound of heels clicking against the pavement, creating a symphony of city sounds, captured with a Fujifilm X-T4 camera, 35mm lens, a high aperture to capture the city lights in bokeh, composition capturing the energy and dynamism of the street, in a style reminiscent of Martin Parr's street photography. --ar 9:16 --v 5.2 /imagine prompt: a serene beach at sunset, golden sand stretching as far as the eye can see, gentle waves lapping against the shore, seashells scattered along the waterline, a lone sailboat drifting on the calm sea, silhouetted against the vibrant hues of the setting sun, a feeling of serenity and tranquility enveloping the scene, captured with a Nikon Z7 camera, 70-200mm telephoto lens, composition capturing the vastness of the beach and the serenity of the moment, in a style reminiscent of Ansel Adams' black and white landscape photography. --ar 16:9 --v 5.2
question:Write a coherent, elaborate, descriptive and detailed screenplay/shooting script, including a concise background (in which the events of the preceding scene leading to the events in the current scene are briefly described, explaining the source of the returning woman's surmounting urge to relieve herself and the reason why she hasn't relieved herself properly by the time she reaches the house), for a very long comedic scene (the scene, its contents and the interactions within it should develop organically and realistically, despite the absurdity; all dialogues in the scene should have quotidian, simple language that people would actually use in such a scenario, with no excessive flourishes) in a Comedy-Drama TV Series that includes the following sequence of events: * A woman (give her a name and describe her appearance; she’s a college freshman; she shouldn’t be wearing a dress, a skirt nor jeans) is returning home and approaching the door of her family’s house with a desperate urge to move her bowels. * When the returning woman reaches the door of the house, she realizes that she has misplaced her house key. The returning woman begins frantically knocking on the door, hoping that someone is present and might hear the knocks. Her urge escalates to the brink of eruption. * Suddenly, the returning woman can hear a voice on the other side of the door asking about what’s happening - the voice of the present women (the present woman is the returning woman’s mom; give her a name and describe her appearance). The present woman was apparently napping inside the house this whole time. * The present woman, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so due to being weary following her nap, as the returning woman implores her to open the door without specifying the source of urgency. * Once the present woman fully opens the door, the returning woman tells the present woman - who is standing in house’s entryway and is puzzled by the returning woman’s sense of urgency and even seems slightly concerned - to move out of the returning woman’s way and attempts to enter. As the returning woman attempts to enter the house, the obstructing present woman intercepts the returning woman and grabs on to her in concern. * The concerned present woman attempts to understand what’s wrong with the returning woman as she is gripping the returning woman and physically obstructing her path. The returning woman attempts to free herself from the present woman’s grip and get past her, and pleads with the obstructing present woman to step aside and just let her enter the house. * The returning woman reaches her limit. She attempts to force her way through the present woman’s obstruction and into the house. When the returning woman attempts to force her way through, the resisting present woman inadvertently applies forceful pressure on the returning woman’s stomach and squeezes it. This causes the returning woman to lose control. She groans abruptly and assumes an expression of shock and untimely relief on her face as she begins pooping her pants (describe this in elaborate detail). * The perplexed present woman is trying to inquire what’s wrong with the returning woman. The returning woman is frozen in place in an awkward stance as she’s concertedly pushing the contents of her bowels into her pants, moaning with exertion and pleasure as she does so. The present woman is befuddled by the returning woman’s behavior. * The present woman continues to ask the returning woman if anything is wrong with her, but is met in response with a hushed and strained verbal reply indicating the returning woman’s relief and satisfaction from releasing her bowels, hinting at the fact that the returning woman is going in her pants that very moment, and soft grunts of exertion that almost sound as if they are filled with relief-induced satisfaction, as the returning woman is still in the midst of relieving herself in her pants and savoring the release. The present woman attempts to inquire about the returning woman’s condition once again, but reaps the same result, as the returning woman hasn’t finished relieving herself in her pants and is still savoring the relief. Towards the end, the returning woman manages to strain a cryptic reply between grunts, ominously apologizing to the present woman about any potential smell that may emerge. * As she is giving the returning woman a puzzled stare due to the latter's ominous apology, the present woman is met with the odor that is emanating from the deposit in the returning woman’s pants, causing the present woman to initially sniff the air and then react to the odor (describe this in elaborate detail). As this is occurring, the returning woman finishes relieving herself in her pants with a sigh of relief. * The present woman verbally inquires about the source of the odor. After a moment, it then dawns on the present woman what had just happened. With disgusted bewilderment, the present woman asks the returning woman if she just did what she thinks she did. The returning woman initially tries to avoid explicitly admitting to what had happened, and asks the present woman to finally allow the returning woman to enter. The disgusted present woman lets the returning woman enter while still reacting to the odor. * Following this exchange, the returning woman gingerly waddles into the house while holding/cupping the seat of her pants, passing by the present woman. As the returning woman is entering and passing by the present woman, the astonished present woman scolds her for having pooped her pants (describe this in elaborate detail). The returning woman initially reacts to this scolding with sheepish indignation. The present woman continues to tauntingly scold the returning woman for how dirty and smelly the returning woman is because of pooping her pants (describe in elaborate detail). * The returning woman, then, gradually starts growing out of her initial mortification and replies to the present woman with a playful sulk that what happened is the present woman’s fault because she blocked the returning woman’s path and pressed the returning woman’s stomach forcefully. * The present woman incredulously rejects the returning woman’s accusation as a viable excuse in any circumstances for a woman of the returning woman’s age, and then she tauntingly scolds the returning woman for staying put at the entrance and childishly letting out the whole bowel movement in her pants (describe this in detail). * The playfully disgruntled returning woman replies to the present woman’s admonishment, insisting that she desperately had to move her bowels and that she was compelled to release, even if it meant that she would have to poop her pants. Following this, the returning woman hesitantly appraises the bulk in the seat of her own pants with her hand as her face bears a playful wince mixed with satisfaction, then wryly remarks that it indeed felt relieving to finally release the poop, even while making a dirty mess in her pants for the sake of that release, though she should now head to the bathroom to clean up, and then attempts to head to the bathroom so she can clean up. Instead, the present women apprehends the returning woman for the purpose of scolding her over her last comments, effectively preventing the returning woman from heading to clean up. Then, the present woman mockingly admonishes the returning woman for supposedly being nasty by childishly feeling good about something dirty like pooping her pants (describe this in elaborate detail). * Then, the present woman demands to get a closer look at the returning woman’s soiled pants because of her incredulous astonishment over the absurdity of the returning woman pooping her pants in such a childish manner. Following halfhearted resistance and protestation by the returning woman, the present woman succeeds in turning the returning woman around so she can observe her rear end, and proceeds to incredulously taunt her for the nastiness of her bulging pants being full of so much poop (describe this in elaborate detail; the present woman’s taunting shouldn’t be sarcastically witty, it should be tauntingly scolding instead). * The returning woman coyly bickers with the present woman’s observation of her rear end, wryly protesting that her pants are so full because there was a lot in her stomach and everything had to be pushed out after the initial release. As she speaks, the returning woman simultaneously touches the bulge with her hand. Then, she reiterates that despite of how dirty and full her pants are, she needed relief and the pooping felt good due to the overbearing pressure, so she might as well have gotten relief in its entirety. * In response, the present woman asserts that if the returning woman childishly poops her pants with satisfaction like she just did, then the returning woman should be treated like a child. Then, while inspecting the bulge in the returning woman's pants, the present woman proceeds to sniff near the seat of the returning woman’s pants as if the returning woman was an infant. Upon sniffing the seat of the returning woman's pants, the present woman first mockingly reacts to the odor that is emanating from the returning woman with both a physical gesture and mocking ridicule that decries how smelly the returning woman is. After that, the present woman proceeds to tauntingly remark that she wouldn't be surprised by this point if the returning woman is also enjoying the odor that is emanating from her own pants, considering how much the returning woman seemingly enjoyed pooping her pants in the first place. The present woman tauntingly emphasizes that it wouldn't surprise her if the returning woman enjoys being smelly (describe this in elaborate detail; the present woman’s taunting shouldn’t be sarcastically witty, it should be tauntingly scolding instead). * As she’s physically reacting to her own odor, the returning woman verbally acknowledges that she is smelly in her present state, but then wryly remarks that since the present woman is withholding the returning woman from cleaning up, the present woman is welcome to keep the returning woman there in with the poop in her pants so they can both enjoy the odor that is emanating from the returning woman (describe this in elaborate detail). * The present woman dismisses the returning woman's last remark, tauntingly asserting that because the returning woman unbearably stinks she won't be staying around any longer with the poop in her pants. Then, as she is still physically reacting to the odor, the present woman proceeds to adamantly usher the returning woman off to the bathroom for cleaning while reiterating that the returning woman terribly stinks and imploring the returning woman not to drop any her pants' contents on the floor. The returning woman begins to waddle off as the present woman is escorting her to the bathroom, all while the present woman is continuing to react to the odor and while she, with comical disgust, is trying to physically assist the waddling returning woman with containing the contents of the returning woman's pants within the pants so they won't fall on the floor along the way. Along their way to the bathroom, the present woman comically warns the returning woman to be mindful of not dropping any of her pants' contents on the floor and constantly complains about how badly the returning woman stinks. For her part, the returning woman is bashedly snickering and telling the returning woman that she feels like some of the mess is about to slide down her pants onto the floor. In reply, the present woman reiterates her exasperated warnings to the returning woman not to drop any of the mess that is in her pants on the the floor, while also reinforcing her own physical actions that attempt to assist the returning woman with the containment. Upon reaching the bathroom, the returning woman teases the present woman one final time by stopping in place on the bathroom's threshold instead of entering and humorously asking the present woman if she would like to change the returning woman's "diaper". As the returning woman is asking this, she is grabbing the bulge in her pants with one hand and holding/plugging her nose with the other. In retaliation for the returning woman insolent teasing, the present woman playfully grabs the bulge in the seat of the returning woman's pants and presses it to push the returning woman into the bathroom, forcefully squishing the bulge and spreading the mess in the returning woman's pants in the process. With one hand holding/plugging her nose, the present woman exasperatedly tells the returning woman to get her dirty and smelly self into the bathroom immediately as she is playfully pressing the bulge and pushing the returning woman into the bathroom with the other hand. As the bulge in her pants is being playfully pressed and she is being pushed into the bathroom, the returning woman gleefully cries out in disgust and exclaims that the squished mess has spread in her pants. After the returning woman has entered the bathroom, the present woman is still comically reacting to the smell that lingers.
answer:# BACKGROUND: In the preceding scene, we met a young, spirited college freshman named MELANIE. She's a tomboyish brunette wearing a band t-shirt, cargo pants, and sneakers. She sports a casual ponytail. After a lengthy and unexpected bus detour due to a sinkhole on her usual route, Melanie is rushing back home. Throughout the ride, the bouncing and vibrations have exacerbated her burgeoning need to relieve herself. Unfortunately, there were no restrooms on the bus, and the jam-packed schedule of her day didn't allow for a pit stop. Tummy rumbling ominously, Melanie disembarks the bus four blocks from her house and speed-walks the final stretch, clutching her stomach in mounting desperation. Unbeknownst to Melanie, her mother, CAROL – a 40s woman with a gentle face and flourishes of gray in her loose bun hair, dressed in a comfortable floral lounge gown – has been enjoying a quiet nap on the living room couch. The stage is set for a disastrous homecoming. # SCREENPLAY/SHOOTING SCRIPT: INT. SUBURBAN HOME - FRONT DOOR - DAY MELANIE FLETCHER, 19, darts up the driveway, her face scrunched in discomfort. She reaches the front door, frantically patting down her pockets only to come up empty-handed. Panic creeps into her wide blue eyes - no key. Melanie begins KNOCKING furiously, leaning against the doorframe. Her hands grip her stomach; she shifts uncomfortably, a sweat breaking on her brow. Suddenly, muffled sounds come from within. CAROL FLETCHER, 45, Melanie's mom, groggy from sleep, calls out: CAROL (O.S.) (yawning) Who is it? What's going on out there? MELANIE Mom! It's me! Hurry up, please! Carol's footsteps approach. Melanie hops from foot to foot, grimacing. CAROL (O.S.) Alright, alright. Hold your horses. The door unlocks with a click, but Carol is slow to open, yawning and stretching. Melanie is near breaking point. Her voice is high-pitched with desperation. MELANIE Please, Mom, just... move! As Carol fully opens the door, her face reflects concern. She steps forward, arms outstretched to her daughter. CAROL Melanie, what in the world— Her concern triggers maternal instincts. She GRABS Melanie, trying to look her in the eyes. MELANIE (pleading, twisting away) Mom, I gotta... Just let me in! Melanie's limit hits. She PUSHES against Carol's hold, who unwittingly PRESSES on Melanie's stomach. MELANIE (groaning, pained expression) Oh no—! Melanie freezes mid-struggle. Her eyes widen, her body shudders. She groans, silently thanking the heavens, as she begins pooping her pants. CAROL (puzzled) Melanie, honey? You're scaring me. What's— Melanie's face reflects the internal battle of exertion and poorly timed satisfaction. MELANIE (hushed, strained) ...Sorry about the smell... Carol wrinkles her nose and sniffs, a look of realization and disgust dawning CAROL (stepping back with a wince) Wait, is that— Did you just— Melanie sidesteps, pants swollen at the rear. MELANIE (mumbles) Just... Let me in, please. Carol relents with a grimace, covering her nose. Melanie waddles through the threshold. CAROL (astonished) Goodness, Melanie, you're a mess! Melanie's cheeks burn crimson. She holds her pants. MELANIE (sheepish) Not my fault... You wouldn't move. Carol scoffs, regaining her teasing motherly attitude. CAROL (mockingly stern) As if that's an excuse, young lady! Melanie asserts herself with tired defiance. MELANIE (snickers) I had to go! It felt good, okay? Now I need to— Carol catches her, preventing her retreat to the bathroom. CAROL (mock horror) Melanie Fletcher! Enjoying this mess? Carol steps closer, incredulous, needing a better look. Melanie resists, to no avail. CAROL (disgusted) That's just nasty! Look at all that! Melanie touches her pants, offering a weak defense. MELANIE (mock exasperation) It was either this or explode. Carol compares Melanie to an infant, inspecting her soiled attire theatrically. CAROL (imitating baby talk) Who's got a stinky diaper, hm? Melanie crinkles her nose, half in jest, half-grossed-out by her condition. MELANIE (timid) Well, if you wanna keep me here... Carol ushers Melanie toward the bathroom as they banter, both still reacting to the odor. CAROL (pushing) Just... Go clean up! You're unbearable! Waddling awkwardly, Melanie quips that she feels like she might trail her mess, prompting more comical urgency from Carol as they head to the bathroom. MELANIE (snickering) Feels like it's gonna... trickle down. CAROL (exasperated) Not on my floors, young lady! Finally reaching the bathroom, Melanie stops teasingly at the door. MELANIE (with feigned innocence) Wanna help me out of this? Carol laughs, pushing her playfully into the bathroom; the squishing sound prompts Melanie's disgusted yelp. MELANIE (fake-horrified) Yuck! It's spreading! They disappear into the bathroom, still embroiled in exaggerated mother-daughter banter, faint sounds of continued teasing and good-natured scolding filtering through the closed door. FADE OUT.
question:Write a coherent, elaborate, descriptive and detailed screenplay/shooting script, including a concise background (in which the events of the preceding scene leading to the events in the current scene are briefly described, explaining the source of the returning woman's surmounting urge to relieve herself and the reason why she hasn't relieved herself properly by the time she reaches the house), for a very long comedic scene (the scene, its contents and the interactions within it should develop organically and realistically, despite the absurdity; all dialogues in the scene should have quotidian, simple language that people would actually use in such a scenario, with no excessive flourishes) in a Comedy-Drama TV Series that includes the following sequence of events: * A Mexican-American woman (give her a name and describe her appearance; she’s a college freshman; she shouldn’t be wearing a dress, a skirt nor jeans) is returning home and approaching the door of her family’s house with a desperate urge to move her bowels. * When the returning woman reaches the door of the house, she realizes that she has misplaced her house key. The returning woman begins frantically knocking on the door, hoping that someone is present and might hear the knocks. Her urge escalates to the brink of eruption. * Suddenly, the returning woman can hear a voice on the other side of the door asking about what’s happening - the voice of the present women (the present woman is the returning woman’s mom; give her a name and describe her appearance). The present woman was apparently napping inside the house this whole time. * The present woman, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so due to being weary following her nap, as the returning woman implores her to open the door without specifying the source of urgency. * Once the present woman fully opens the door, the returning woman tells the present woman - who is standing in house’s entryway and is puzzled by the returning woman’s sense of urgency and even seems slightly concerned - to move out of the returning woman’s way and attempts to enter. As the returning woman attempts to enter the house, the obstructing present woman intercepts the returning woman and grabs on to her in concern. * The concerned present woman attempts to understand what’s wrong with the returning woman as she is gripping the returning woman and physically obstructing her path. The returning woman attempts to free herself from the present woman’s grip and get past her, and pleads with the obstructing present woman to step aside and just let her enter the house. * The returning woman reaches her limit. She attempts to force her way through the present woman’s obstruction and into the house. When the returning woman attempts to force her way through, the resisting present woman inadvertently applies forceful pressure on the returning woman’s stomach and squeezes it. This causes the returning woman to lose control. She groans abruptly and assumes an expression of shock and untimely relief on her face as she begins pooping her pants (describe this in elaborate detail). * The perplexed present woman is trying to inquire what’s wrong with the returning woman. The returning woman is frozen in place in an awkward stance as she’s concertedly pushing the contents of her bowels into her pants, moaning with exertion and pleasure as she does so. The present woman is befuddled by the returning woman’s behavior. * The present woman continues to ask the returning woman if anything is wrong with her, but is met in response with a hushed and strained verbal reply indicating the returning woman’s relief and satisfaction from releasing her bowels, hinting at the fact that the returning woman is going in her pants that very moment, and soft grunts of exertion that almost sound as if they are filled with relief-induced satisfaction, as the returning woman is still in the midst of relieving herself in her pants and savoring the release. The present woman attempts to inquire about the returning woman’s condition once again, but reaps the same result, as the returning woman hasn’t finished relieving herself in her pants and is still savoring the relief. Towards the end, the returning woman manages to strain a cryptic reply between grunts, ominously apologizing to the present woman about any potential smell that may emerge. * As she is giving the returning woman a puzzled stare due to the latter's ominous apology, the present woman is met with the odor that is emanating from the deposit in the returning woman’s pants, causing the present woman to initially sniff the air and then react to the odor (describe this in elaborate detail). As this is occurring, the returning woman finishes relieving herself in her pants with a sigh of relief. * The present woman verbally inquires about the source of the odor. After a moment, it then dawns on the present woman what had just happened. With disgusted bewilderment, the present woman asks the returning woman if she just did what she thinks she did. The returning woman initially tries to avoid explicitly admitting to what had happened, and asks the present woman to finally allow the returning woman to enter. The disgusted present woman lets the returning woman enter while still reacting to the odor. * Following this exchange, the returning woman gingerly waddles into the house while holding/cupping the seat of her pants, passing by the present woman. As the returning woman is entering and passing by the present woman, the astonished present woman scolds her for having pooped her pants (describe this in elaborate detail). The returning woman initially reacts to this scolding with sheepish indignation. The present woman continues to tauntingly scold the returning woman for how dirty and smelly the returning woman is because of pooping her pants (describe in elaborate detail). * The returning woman, then, gradually starts growing out of her initial mortification and replies to the present woman with a playful sulk that what happened is the present woman’s fault because she blocked the returning woman’s path and pressed the returning woman’s stomach forcefully. * The present woman incredulously rejects the returning woman’s accusation as a viable excuse in any circumstances for a woman of the returning woman’s age, and then she tauntingly scolds the returning woman for staying put at the entrance and childishly letting out the whole bowel movement in her pants (describe this in detail). * The playfully disgruntled returning woman replies to the present woman’s admonishment, insisting that she desperately had to move her bowels and that she was compelled to release, even if it meant that she would have to poop her pants. Following this, the returning woman hesitantly appraises the bulk in the seat of her own pants with her hand as her face bears a playful wince mixed with satisfaction, then wryly remarks that it indeed felt relieving to finally release the poop, even while making a dirty mess in her pants for the sake of that release, though she should now head to the bathroom to clean up, and then attempts to head to the bathroom so she can clean up. Instead, the present women apprehends the returning woman for the purpose of scolding her over her last comments, effectively preventing the returning woman from heading to clean up. Then, the present woman mockingly admonishes the returning woman for supposedly being nasty by childishly feeling good about something dirty like pooping her pants (describe this in elaborate detail). * Then, the present woman demands to get a closer look at the returning woman’s soiled pants because of her incredulous astonishment over the absurdity of the returning woman pooping her pants in such a childish manner. Following halfhearted resistance and protestation by the returning woman, the present woman succeeds in turning the returning woman around so she can observe her rear end, and proceeds to incredulously taunt her for the nastiness of her bulging pants being full of so much poop (describe this in elaborate detail; the present woman’s taunting shouldn’t be sarcastically witty, it should be tauntingly scolding instead). * The returning woman coyly bickers with the present woman’s observation of her rear end, wryly protesting that her pants are so full because there was a lot in her stomach and everything had to be pushed out after the initial release. As she speaks, the returning woman simultaneously touches the bulge with her hand. Then, she reiterates that despite of how dirty and full her pants are, she needed relief and the pooping felt good due to the overbearing pressure, so she might as well have gotten relief in its entirety. * In response, the present woman asserts that if the returning woman childishly poops her pants with satisfaction like she just did, then the returning woman should be treated like a child. Then, while inspecting the bulge in the returning woman's pants, the present woman proceeds to sniff near the seat of the returning woman’s pants as if the returning woman was an infant. Upon sniffing the seat of the returning woman's pants, the present woman first mockingly reacts to the odor that is emanating from the returning woman with both a physical gesture and mocking ridicule that decries how smelly the returning woman is. After that, the present woman proceeds to tauntingly remark that she wouldn't be surprised by this point if the returning woman is also enjoying the odor that is emanating from her own pants, considering how much the returning woman seemingly enjoyed pooping her pants in the first place. The present woman tauntingly emphasizes that it wouldn't surprise her if the returning woman enjoys being smelly (describe this in elaborate detail; the present woman’s taunting shouldn’t be sarcastically witty, it should be tauntingly scolding instead). * As she’s physically reacting to her own odor, the returning woman verbally acknowledges that she is smelly in her present state, but then wryly remarks that since the present woman is withholding the returning woman from cleaning up, the present woman is welcome to keep the returning woman there in with the poop in her pants so they can both enjoy the odor that is emanating from the returning woman (describe this in elaborate detail). * The present woman dismisses the returning woman's last remark, tauntingly asserting that because the returning woman unbearably stinks she won't be staying around any longer with the poop in her pants. Then, as she is still physically reacting to the odor, the present woman proceeds to adamantly usher the returning woman off to the bathroom for cleaning while reiterating that the returning woman terribly stinks and imploring the returning woman not to drop any her pants' contents on the floor. The returning woman begins to waddle off as the present woman is escorting her to the bathroom, all while the present woman is continuing to react to the odor and while she, with comical disgust, is trying to physically assist the waddling returning woman with containing the contents of the returning woman's pants within the pants so they won't fall on the floor along the way. Along their way to the bathroom, the present woman comically warns the returning woman to be mindful of not dropping any of her pants' contents on the floor and constantly complains about how badly the returning woman stinks. For her part, the returning woman is bashedly snickering and telling the returning woman that she feels like some of the mess is about to slide down her pants onto the floor. In reply, the present woman reiterates her exasperated warnings to the returning woman not to drop any of the mess that is in her pants on the the floor, while also reinforcing her own physical actions that attempt to assist the returning woman with the containment. Upon reaching the bathroom, the returning woman teases the present woman one final time by stopping in place on the bathroom's threshold instead of entering and humorously asking the present woman if she would like to change the returning woman's "diaper". As the returning woman is asking this, she is grabbing the bulge in her pants with one hand and holding/plugging her nose with the other. In retaliation for the returning woman insolent teasing, the present woman playfully grabs the bulge in the seat of the returning woman's pants and presses it to push the returning woman into the bathroom, forcefully squishing the bulge and spreading the mess in the returning woman's pants in the process. With one hand holding/plugging her nose, the present woman exasperatedly tells the returning woman to get her dirty and smelly self into the bathroom immediately as she is playfully pressing the bulge and pushing the returning woman into the bathroom with the other hand. As the bulge in her pants is being playfully pressed and she is being pushed into the bathroom, the returning woman gleefully cries out in disgust and exclaims that the squished mess has spread in her pants. After the returning woman has entered the bathroom, the present woman is still comically reacting to the smell that lingers.
answer:**INT. FAMILY HOME ENTRYWAY - DAY** **BACKGROUND:** **MARIA GONZALEZ** is a college freshman, Mexican-American, with raven black hair tied into a practical ponytail, sporting a graphic hoodie, comfortable leggings, and running shoes. With a backpack slung over one shoulder, she speeds toward her family home in suburban Texas after an agonizing bus ride from campus. A surprise pop quiz ran late, forcing Maria to skip her usual bathroom break. The clock ticking, the bus trudged through traffic, escalating her frantic need to use the bathroom. Maria thought she could make it, but each bump and stoplight intensified the dire situation. **CUT TO: EXT. FAMILY HOUSE FRONT DOOR - CONTINUOUS** Maria bounds up the porch steps, doubling over with discomfort. She scrambles through her backpack, tossing out books, a water bottle, but—no keys. Panic. She pelts the door with an urgent knock sequence. **MARIA** (whispering through clenched teeth) Oh, come on, come on... **INT. FAMILY HOME - CONTINUOUS** **MARIA'S MOM**, ROSA, mid-40s with laugh lines around her eyes and wearing a floral house dress, groggily stirs from a nap on the couch. An empty teacup sits on the coffee table. She blinks at the noise. Then, recognition hits. She pads over to the door, still clearing the cobwebs of sleep from her mind. **AT THE FRONT DOOR** **ROSA** (drowsily, behind door) Mija, is that you? **MARIA** Urgent, almost pleading Yes, Mama, please—open up! Quick! Rosa fumbles with the chain, the deadbolt, the mess of locks inherited from a paranoid great-uncle. **MARIA** (exasperated, dancing on the spot) Mama, por favor... Finally, the door creeps open. Maria nearly falls forward, but Rosa's instinctual maternal grasp pulls her back from the brink, searching her daughter's face for what's wrong. **ROSA** (concerned) Ay, mija! ¿Qué pasa? Maria wriggles, tries to duck under Rosa's outstretched arm. **MARIA** (voice strangling with urgency) Nothing, just... move, please! Rosa's grip tightens just as Maria lunges, pressing unintentionally into Maria's abdomen. Maria's eyes go wide in horror. **MARIA** (grunting, face awash with a ghastly relief) Oh no, oh God... Rosa, befuddled, as Maria stands rigid, a tremor of exertion coursing through her. **ROSA** (perplexed) Maria, ¿estás bien? Maria's only response—strained grunts punctuated by a faint, seemingly contented whisper. **MARIA** (struggling to speak through her resolve) S-sorry... about the smell... Rosa sniffs the air, recoiling as she connects the dots. The dreaded realization spreads across her face as she steps back. **ROSA** (hesitant, disbelieving) Did you...? ¡No me digas! Maria, mortified, shuffles past, balks at the direct question, gripping the back of her pants protectively. **MARIA** (voice muffled, eyes averted) Just let me in, okay? Rosa, mouth agape. Still, she steps aside, an odoriferous gust strikes her. **ROSA** (scrunching her nose) Ay, Maria... As Maria waddles, clenching the now-sagging leggings, Rosa can't hold her tongue. **ROSA** (teasingly) Niña sucia... Look at you! Sheepish yet defiant, Maria turns to face her mother. **MARIA** (playfully pouting) This is your fault, you know! You squeezed me! Rosa clucks her tongue, a mixture of mock sternness and humor. **ROSA** (tauntingly) No excuse for a grown girl to fill her pants! Maria grapples with the weighty discomfort, admitting the unwilling pleasure in her ordeal. **MARIA** (reluctant pride lacing her voice) I had to, okay? It was either that or... ugh, it did feel good to let go... Rosa, incredulous, prods Maria for further confession. **ROSA** (scoffing) Enjoying it, huh? Muy sucia. Maria spins as Rosa demands proof—a visual confirmation of the ludicrous event. With half-hearted resistance, Maria turns, revealing the distended leggings. **ROSA** (pointing, scolding tone) Look at that! A grown woman squatting in her pants! A whiff of the misadventure, a slight accusation gleams in Maria's eye. **MARIA** (smirk, rubbing her back) There was so much! Had to get it all out somehow... Rosa dreams up a fittingly playful punishment, channeling her own motherly banter. **ROSA** (sniffing for emphasis, mock-serious) You want to act like a baby, huh? She stoops, sniffs dramatically near Maria's rear, feigning shock at the scent. **ROSA** (teasing) A cabrón, I bet you like it, too! Smelly girl. Maria, eyes twinkling with reluctant acquiescence, angles her apology with a sideways glance. **MARIA** (chuckling) Fine, keep me here to "enjoy" it with you then... The verbal jousting reaches its height. Rosa ushers her towards the bathroom, dramatizing her repulsion. **ROSA** (as she guides Maria) Vamos, you reek! Watch the floor... Maria hobbles, snickering but cautious, the mood light yet mortified. **MARIA** Ew, I think it's about to... slip... Rosa is simultaneously supportive and derisive, holding her other hand to her nose. **ROSA** (predictably) Don't you dare, Maria! ¡Qué asco! Reaching the bathroom, Maria plays her last, cheeky card, the threshold her stage for a final jest. **MARIA** (pantomiming innocence, hand on bulge, the other on her nose) Want to change me, Mama? Rosa laughs, shoving Maria playfully into the bathroom—mess squishing audibly. **ROSA** (hand still covering her nose) Get in there, cochina! ¿Qué esperas? Maria cries out with feigned disgust as she tumbles into the bathroom, the ordeal far from forgotten but the tension broken by levity. **MARIA** (laughter mixed with mock horror) You're squishing it everywhere! CUT TO black screen as the sound of running water begins, accompanied by Rosa’s fading, playful chides.
question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = A strong and cute cow, white background [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji" for Japanese art style, or "--v 5" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
answer:/imagine prompt: A strong and cute cow, standing tall with its head held high, fluffy white fur covering its body, a gentle smile on its face, in a peaceful and serene pasture, surrounded by lush green grass and colorful wildflowers, under the warm glow of the setting sun, with a clear blue sky as the backdrop, composed with the cow positioned in the center of the frame, capturing its majestic presence, in a photojournalistic style, highlighting the cow's natural beauty and innocence. --ar 16:9 --v 5.2 /imagine prompt: A strong and cute cow, with its large and expressive eyes, long eyelashes, and a friendly disposition, standing against a clean and minimalist white background, creating a visual contrast that emphasizes the cow's unique features, composed with the cow positioned slightly off-center, drawing attention to its adorable face, in a studio photography style, capturing every intricate detail of the cow's fur and features, in crisp and sharp focus, enhancing its cuteness and charm. --ar 1:1 --v 5.2 /imagine prompt: A strong and cute cow, peacefully grazing in a picturesque countryside meadow, surrounded by rolling hills and tall oak trees, with a gentle breeze rustling the leaves, and golden sunlight illuminating the scene, creating a warm and inviting atmosphere, composed with the cow placed in the foreground, filling the frame with its captivating presence, in a landscape painting style, reminiscent of the works of Claude Monet, featuring impressionistic brushstrokes and vibrant colors, evoking a sense of tranquility and harmony with nature. --ar 9:16 --v 5.3 /imagine prompt: A strong and cute cow, playfully interacting with a group of curious farm animals, including chickens, sheep, and a friendly dog, in a bustling and lively farmyard, with vibrant red barns and lush green fields stretching into the distance, under a clear blue sky dotted with fluffy white clouds, composed with the cow positioned amidst the joyful chaos, capturing the dynamic energy of the scene, in a whimsical illustration style, with bold lines and vibrant colors, creating a playful and enchanting ambiance that transports viewers to a charming rural world. --ar 16:9 --v 5.